All colloquium presentations are 1:30–2:20 pm on Fridays via Zoom, unless otherwise noted. Check back for updates!
Fall 2021
Sep 10: Research in Progress: Cody Norling, “Where in the World is May Valentine?: Chasing Traces of an Ancillary Opera Professional”
Sep 17: Reading Group
Sep 24: Research in Progress: Marian Wilson Kimber, “Eva Perry Moore and the 1906 Women Composers Concert for the General Federation of Women’s Clubs”
Oct 1: Reading Group
Oct 8: Workshop: Participating in Q&A (Nathan Platte)
Oct 22: Workshopping Student Research: Rebekah Erdman (Musicology Ph.D. student), Zane Larsen (Music Theory Ph.D. student), and Mark Rheaume (Music Composition Ph.D. student)
Nov 5: Holly Watkins (Eastman School of Music), “Pre-Human, Post-Human, or Somewhere in Between? Locating Music after Humanism”
Nov 19: Research-in-progress Presentations: Matthew Mason (Music Composition Ph.D. student) and Ross Clowser (Musicology M.A. student)
Dec 3: John Michael Cooper (Southwestern University), “‘With Love, Devotion to the Negro Race and Humanity…’: Margaret Bonds and the Social Work of the Montgomery Variations“
Spring 2022
Jan 1: Reading Group
Jan 28: Pedagogy Panel: Rehanna Kheshgi (St. Olaf), Sam Dorf (Dayton), Trudi Wright (Regis)
Feb 4: Lauron Kehrer (Western Michigan University), “‘Call Me By Your Name’: Demarginalizing Queer Hip Hop”
Feb 11: Reading Group
Feb 18: Reading Group
Feb 25: Brad Osborn (University of Kansas)
Mar 4: Mariusz Kozak (Columbia University)
Mar 11: Cody Norling (PhD candidate), “A Marked Success of the Race”: The South Side Opera Company (1920–1922) and Community Networks of Support in Chicago’s “Black Metropolis”
Mar 25: Timothy Chenette (Utah State University)
Apr 1: Regina Bradley (Kennesaw State)
Apr 15: Josh Henderson (Grant Wood Fellow)
Apr 22: Danielle Bridges (MA, Choral Conducting)
Apr 29: Filip Šír (National Museum, Prague), “Bohemia on Records: Mapping Early Sound Recordings of Czech Settlers in the United States”
May 6: Workshopping CVs (Marian Wilson Kimber)